/ PROCESS
The method behind the work
Every sculpture begins long before carving. Observation, material research, and quiet repetition shape each work into its final form.
Observation precedes intention.
1
Drift
Every project begins without a fixed destination. Images, materials, and references are collected until a recurring visual rhythm naturally emerges.
Repetition reveals precision.
2
Devotion
Through repeated carving, editing, and refinement, each form gradually approaches its intended balance without losing spontaneity.
Texture completes the conversation.
3
Veil
Surface treatments soften the transition between light and shadow, allowing the work to change throughout the day.
Distance creates clarity.
4
Reflection
Completed works are revisited through photography and writing, revealing new interpretations after the making process has ended.
Materials hold their own memory.
5
Gathering
Stone samples, photographs, sketches, and architectural references are brought together to establish a shared visual language before making begins.
1
Drift
Every project begins without a fixed destination. Images, materials, and references are collected until a recurring visual rhythm naturally emerges.
2
Devotion
Through repeated carving, editing, and refinement, each form gradually approaches its intended balance without losing spontaneity.
3
Veil
Surface treatments soften the transition between light and shadow, allowing the work to change throughout the day.
4
Reflection
Completed works are revisited through photography and writing, revealing new interpretations after the making process has ended.
5
Gathering
Stone samples, photographs, sketches, and architectural references are brought together to establish a shared visual language before making begins.
1
Drift
Every project begins without a fixed destination. Images, materials, and references are collected until a recurring visual rhythm naturally emerges.
2
Devotion
Through repeated carving, editing, and refinement, each form gradually approaches its intended balance without losing spontaneity.
3
Veil
Surface treatments soften the transition between light and shadow, allowing the work to change throughout the day.
4
Reflection
Completed works are revisited through photography and writing, revealing new interpretations after the making process has ended.
5
Gathering
Stone samples, photographs, sketches, and architectural references are brought together to establish a shared visual language before making begins.
Hello.
For commissions, exhibitions, and studio visits
© Mara Vela, 2026
Florence — available worldwide
Hello.
For commissions, exhibitions, and studio visits
© Mara Vela, 2026
Florence — available worldwide
Hello.
For commissions, exhibitions, and studio visits
© Mara Vela, 2026
Florence — available worldwide